I’m ready to sign on.
I’ve never quite shared the ardor. But I’ve long been fascinated by the socio-musico impact of these guys. More than just a fave rave of a certain demographic (thirty-something males?), they seem to represent to those fans — 80,000 of whom turned out in Golden Gate Park last night — some sort of watershed, a defining moment. A musical moment, for sure, but one that also goes well beyond.
A Beatles for their times.
And if you’re as suprised by that notion as I was (maybe not, 35-year-old dude), trust me. It’s based on unassailable empirical data — mostly close observation of guys like Joe Oh and Mike Lemme.
But let’s talk about Lemme.
For sure, Radiohead goes beyond the musical for this guy, a designer by avocation and trade. And you get what he’s “hearing” when you see the show. Where other bands load up on the latest in technological fidelity, the highest of def, for their video projections, Radiohead is cool enough and smart enough to understand that to go forward technologically, to refresh the whole concept of video projection at this point in the game, is to go backwards.