People


Andy Berkenfield

General manager, partner
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Andy BerkenfieldJe m’appelle Andy. Je suis le general manager.” He might not say it that way – but the point is, he could. Partner Berkenfield lived near Paris from the age of seven until 14, where he became fluent in French (and in wine), while developing the internationalist viewpoint that has well-served Duncan/Channon’s global brands.

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Andy is one of the only guys in the advertising business with an advertising degree, earned from the distinguished Newhouse School at Syracuse University. He cut his marketing teeth (they’re just behind the canines) working on packaged goods at multinationals in New York, then moved to San Francisco to get into retail and image brands. At Foote, Cone & Belding/SF, he held senior jobs running Taco Bell, Levi’s and the $100 million Sega Dreamcast launch. Joining D/C in 2000, he brought a new level of strategic leadership and led giant-killing pitches for Clos du Bois, Network Associates (now McAfee), Birkenstock and others.

His sick, secret life as a shoe fetishist, revealed in a photograph of his 13 pairs of Birkenstock sandals, proved especially compelling in that pitch, much as his French-born oenophilia has been inordinately valuable for wine clients. Andy is also D/C’s resident camera expert, with a collection that rivals that of his shoes, and a closet IT guy with a nerdy passion for flight simulators. To add to this troubling portrait, Andy once went 11 days without bathing – which doesn’t seem to have precluded his becoming father of two with his (apparently) long-suffering wife.

In addition to riding herd on the account department at D/C and general managing everything else, Andy is the chief strategist on Esurance and StubHub.

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Robert Duncan

Executive creative director, partner
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Robert DuncanBefore starting D/C, Duncan served almost five years as VP and creative director at Foote, Cone & Belding, working on Citibank, Pacific Bell and Hewlett-Packard. Before that, he had a career in journalism, including ten years writing about rock ’n’ roll in such magazines as Rolling Stone, Life, and Creem, for which he was managing editor, and in several books, including The Noise. As a partner and executive creative director at D/C, he has helped develop award-winning advertising and branding efforts for both Hard Rock, which won the 2007 international REBRAND 100 award, and Esurance, among many others.

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As a rock critic, he has interviewed: Bruce Springsteen, Freddie Mercury, Patti Smith, Ronnie Van Zant, Ted Nugent, War, ZZ Top, Kraftwerk, and others he can’t remember. He has flown on a private jet with Keith Richards, jammed with Blue Öyster Cult, sung to Sammy Hagar (accapella) and Liza Minnelli, but not at the same time. In recent years, his locker at the health club has, on occasion, adjoined Phil Lesh’s, whom he has seen in his underwear. As a kid, he saw the Beatles at Shea. He is a guitarist, singer, composer and producer of albums for 3DayBig&Tall and the Toll Sergeants.

He is married to the artist and former rock photographer Roni Hoffman and father of two grownup writers.

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Parker Channon

Executive creative director, partner
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Parker ChannonA caveat: Although he is a writer, and arguably one of the finest and funniest in the business, James Parker Channon is otherwise a man of so few words – no matter how choice – that lesser writers working on the D/C website actually have to pad his pithy autobiographizing in order to make it the same length as the others. Lorem ipsum dolor sit amet, consectetuer adipiscing elit, sed diam dolore magna aliquam erat volputate. But I digress.

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After attending UC Berkeley, Parker began his career at Foote, Cone & Belding/San Francisco. In addition to helping the phone company hawk a befuddling new service called electronic mail (the kids call it: “e-mail”), he hornswoggled grown men into buying Gameboys – and an illicit love affair with the gaming industry was born. Parker has developed TV, print and interactive campaigns for most of the major videogame companies — including Sega, for whom he created the much-honored “Heroes” spot. In addition to garnering industry honors galore, his work has sold tens of millions of titles.

He is also the creative director on D/C’s breathrough “Binoculars” spot for StubHub, recently featured in CA. He developed the innovative multimedia campaign that launched Clos du Bois from less than a million cases to more than two, and he heads the creative crew responsible for mesmerizing the well-heeled into acquiring luxury condos at LA’s Ritz-Carlton. Celebrating his bourbon-soaked Louisville lineage, Parker, a partner and ECD at D/C, used to host a Kentucky Derby party the first Saturday of each May. You shoulda been there.

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Michael Lemme

Executive creative director
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Michael LemmeMike (aka Lemme) owes his job to barefaced nepotism (more on which later). As a creative director at D/C, his focus is on brand strategy, design and interactive, and he has led rebranding efforts for, among others, Blurb, Esurance and Hard Rock International, for which the agency won the 2007 international REBRAND 100 competition. He also conceived and designed the widely honored interactive work for Hard Rock. Prior to joining D/C in 2004, Mike was creative director at the San Francisco design firm Method, where he led efforts for SFMOMA, Autodesk, Reuters and American Apparel. Before that, he was a senior designer at MetaDesign SF.

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In addition to the REBRAND 100 award, his second (the first was for Autodesk in 2006), he has been recognized in CA‘s 2010 Interactive Annual for his Hard Rock work. He was also a One Show Interactive finalist for Hard Rock and a One Show Interactive winner for SFMOMA’s “Making Sense of Modern Art” interface. And his wise and witty musings were recently featured on Communications ArtsInsights blog.

He is secretly married to another D/C creative director and proud papa of two boys.

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Anne Elisco-Lemme

Creative director
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Anne Elisco-LemmeAnne was introduced to the sordid world of advertising as a starry-eyed child in Pittsburgh when her father, a copywriter, would bring home swatch books and the world’s most intoxicating markers. Still high from the marker fumes, she tried a career as a painter in New York City, failed, and soon found her way home to the commercial realm to begin an exceptional career. After a rapid ascent within the confines of multinational agencies in Pittsburgh and San Francisco, Anne escaped to the wide open spaces of a feisty boutique called Duncan/Channon. There she built an art department that is second to none and, with award-winning work for Birkenstock, Sanita, Esurance and many others, helped raise the bar for the agency’s creative across the board.

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In her decade-plus at D/C, Anne’s work has been honored by Communication Arts, including CA‘s Advertising Annual, by the Graphis Annual (“100 Best in Advertising”), by the 4A’s, as a three-time finalist for the prestigious O’Toole Awards, Luerzer’s Archive and much more. She is married (not sure to whom) and mother of two. Most importantly, she was keyboardist (“the female John Paul Jones”) in the semi-well-known northwestern Pennsylvania Led Zeppelin tribute band, Black Dog. At D/C, her official title is creative director.

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Leslie Diard

Communications planning director
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Leslie DiardWhile one supposes it’s important to tell you that Leslie Diard is our deeply experienced communications planning director and a sage member of the management committee, one can barely wait to tell you she started her professional life as a purchasing agent for Shell Oil in Houston, wore a hard hat to work and visited offshore drilling platforms, where she was often the sole female. Since then, Leslie has veered sharply toward the marketing mainstream, serving as a senior media planner at Foote, Cone & Belding/San Francisco, as a VP, group account director, at Hawk Media and as media director at Swirl.

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Her pre-D/C client experience includes Taco Bell, Dreyer’s Ice Cream, MGM Grand Hotel & Casino, Pearle Vision and The Wine Group. And at D/C, she oversees a ten-person communications planning department that is responsible for the planning and purchasing of media for, among others, StubHub, John Muir Medical Center and Hard Rock Hotels and Cafes. Leslie has an MBA from the renowned Thunderbird School of Global Management.

She is also a former professor at the Art Institute of California, and, in recent years, was elected president of the American Marketing Association, San Francisco chapter. A season ticket holder to the SF Symphony (la-di-da), she is married to an Englishman – but not Eric Clapton, whom she once talked to on the phone (long story).

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John Munyan

Creative director
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John MunyanRead his bio fast enough, you might think John had played in the World Series. Read it again, you’ll discover the story’s so much better than that. Because our own John “Muny” Munyan was actually a member of the Ithaca College team that won first place in the AAF’s prestigious “College World Series of Advertising.” The Hank Aaron of Headlines, they call him in upstate New York.

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Muny began his post-Series marketing career (read: actually got paid) at Martino Flynn Advertising in his native Rochester, NY, where he spent eight years crafting strategy and copy for accounts ranging from Kodak Dental Imaging and CooperVision Contact Lenses to Dick’s Sporting Goods, where he was lucky enough to work with with legendary sports figures like Terry Bradshaw, Jimmy Johnson and Ken Griffey, Jr.

In 2001, lured by the siren song of the West Coast, John headed to San Francisco for a stint as associate creative director at Publicis Dialog, creating both direct and brand campaigns for Texas Children’s Hospital, HP and Microsoft among others, before joining Duncan/Channon. At D/C, he has produced award-winning work for clients ranging from Esurance to Hard Rock to Birkenstock. John’s work has been featured on Good Morning America’s “Best Ads of the Year” segment and, most amazingly, a morning DJ once did a mash-up between one of his radio ads and the song “Take on Me” by the band a-ha. True story. John and fam, including his seven-year old son, kick it old-school in the East Bay.

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Robbie Whiting

Director of creative technology and production
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Robbie WhitingSix or more things you may not know about Robbie, by Robbie:

1. I grew up in LA, and when I was eleven years old, I was cast as a double for Ricky Schroeder in the TV series Silver Spoons. I was never sure what that meant, because I never actually made it to the set, but I assumed it would have involved doing the stuff Ricky didn’t want to do.

2. One of my ancestors, Mary Dyer, was burned at the stake for being a witch in 1660. There’s even a Wikipedia entry on it. I, however, am not a witch.

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3. Like my father before me, I worked at Sears Roebuck, selling garden tractors and lawn mowers. Unlike my father, I only did this through college.

4. I learned to program in BASIC when I was twelve. The first thing I programmed was an animated Pac-Man that simply opened and closed its mouth and said “Yum!” And it was beautiful.

5. I am obsessed with figuring out how things work. I don’t believe you truly own something until you take it apart and put it back together again.

6. At TBWA\Chiat\Day in Los Angeles, I worked with the Global Head of Marketing of Visa to visualize what “the future of money” might look like in a digital/mobile world. And I can tell you, it wasn’t green.

More things about Robbie (not by Robbie): Robbie built and oversaw the digital practice at Draftfcb, at TBWA\Chiat\Day LA and at Ignited Minds. His clients have included Nissan, Pepsi, Visa, Mars, Gatorade, Activision, Vivendi-Universal, Sony and Electronic Arts. He started as a reporter at a southern California newspaper – until the Perry White -like editor one day bellowed across the city room that he needed someone to build a website.

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