People


Andy Berkenfield

Andy BerkenfieldJe m’appelle Andy. Je suis le general manager.” He might not say it that way – but the point is, he could. Partner Berkenfield lived near Paris from the age of seven until 14, where he became fluent in French (and in wine), while developing the internationalist viewpoint that has well-served Duncan/Channon’s global brands.

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Andy is one of the only guys in the advertising business with an advertising degree, earned from the distinguished Newhouse School at Syracuse University. He cut his marketing teeth (they’re just behind the canines) working on packaged goods at multinationals in New York, then moved to San Francisco to get into retail and image brands. At Foote, Cone & Belding/SF, he held senior jobs running Taco Bell, Levi’s and the $100 million Sega Dreamcast launch. Joining D/C in 2000, he brought a new level of strategic leadership and led giant-killing pitches for Clos du Bois, Network Associates (now McAfee), Birkenstock and others.

His sick, secret life as a shoe fetishist, revealed in a photograph of his 13 pairs of Birkenstock sandals, proved especially compelling in that pitch, much as his French-born oenophilia has been inordinately valuable for wine clients. Andy is also D/C’s resident camera expert, with a collection that rivals that of his shoes, and a closet IT guy with a nerdy passion for flight simulators. To add to this troubling portrait, Andy once went 11 days without bathing – which doesn’t seem to have precluded his becoming father of two with his (apparently) long-suffering wife Suzanne.

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Robert Duncan

Robert DuncanBefore starting D/C, Duncan served almost five years as VP and creative director at Foote, Cone & Belding, working on Citibank, Pacific Bell and Hewlett-Packard. Before that, he had a career in journalism, including ten years writing about rock ’n’ roll in such magazines as Rolling Stone, Life, and Creem, for which he was managing editor, and in several books, including The Noise.

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As a rock critic, he has interviewed: Bruce Springsteen, Freddie Mercury, Patti Smith, Ronnie Van Zant, Ted Nugent, War, ZZ Top, Kraftwerk, and others he can’t remember. He has flown on a private jet with Keith Richards, jammed with Blue Öyster Cult, sung to Sammy Hagar (accapella) and Liza Minnelli, but not at the same time. In recent years, his locker at the health club has, on occasion, adjoined Phil Lesh’s, whom he has seen in his underwear. As a kid, he saw the Beatles at Shea. He is a guitarist, singer, composer and producer of albums for 3DayBig&Tall and the Toll Sergeants.

He is married to the artist and former rock photographer Roni Hoffman and father of two. Born in Sheboygan (!), he moved to New York in grade school and has lived in Fairfax, CA, for 20 years. He “attended” NYU (which probably means he didn’t graduate). At D/C, for obvious reasons, he serves as CD for Hard Rock. Also for obvious reasons, he has always dreamed of getting penis-reduction surgery. Bob “Robert” Duncan (aka Duncan, Pops or, legally, Ppppzzzzzz™) is executive creative director and partner.

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Parker Channon

Parker ChannonA caveat: Although he is a writer, and arguably one of the finest and funniest in the business, James Parker Channon is otherwise a man of so few words – no matter how choice – that lesser writers working on the D/C website actually have to pad his pithy autobiographizing in order to make it the same length as the others. Lorem ipsum dolor sit amet, consectetuer adipiscing elit, sed diam dolore magna aliquam erat volputate. But I digress.

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After attending UC Berkeley, Parker began his career at Foote, Cone & Belding/San Francisco. In addition to helping Pacific Bell hawk a befuddling new service called electronic mail (the kids call it: “e-mail”), he hornswoggled grown men into buying Gameboys – and an illicit love affair with the gaming industry was born.

As a partner and executive creative director at D/C, Parker has worked with nearly every major videogame company in the world, selling countless titles and garnering industry honors galore. He has also developed the innovative – and award-winning – multimedia campaign that helped Clos du Bois grow from under a million cases to more than two, and he heads the creative crew responsible for mesmerizing the well-heeled into acquiring luxury condos from, among others, Tishman Speyer. Celebrating his bourbon-soaked Louisville lineage, Parker hosts a Kentucky Derby party the first Saturday of each May which should, under no circumstances, be missed.

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Anne Elisco-Lemme

Anne Elisco-LemmeAnne was introduced to the sordid world of advertising as a starry-eyed child in Pittsburgh in the seventies when her father, a copywriter, would bring home swatch books and the world’s most pungent markers for her to draw with. Still high from the marker fumes, she tried a career as a painter in New York City, failed, and found her way back to the markers. After finding herself discontented as a cog in the creative machinery of multinational agencies in Pittsburgh and San Francisco, Anne escaped to the inherently more creative, collegial life that only a relatively small agency can offer.

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In her decade at D/C, she started out by building an art department that is second to none and then went on to raise the bar on the agency’s creative output across the board. She has also been instrumental in new business. Her comprehensive knowledge of wine (again, thanks to dad – who seems to have been some kind of pusher, if you ask me) was key to winning the Clos du Bois account and to turning that, over the years, into award-winning work for more than 22 domestic and international wine brands. Recently, she served as creative director and art director for the re-launch of Birkenstock, as well as the re-branding of Ruffino.

Anne Elisco-Lemme is married (not sure to whom) and mother of two. Most importantly, she was keyboardist (“the female John Paul Jones”) in the semi-well-known northwestern Pennsylvania Led Zeppelin tribute band, Black Dog. At D/C, her official title is creative director.

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Leslie Diard

Leslie DiardWhile one supposes it’s important to tell you that Leslie Diard is our deeply experienced media director and a sage member of the management committee, one can barely wait to tell you she started her professional life as a purchasing agent for Shell Oil in Houston, wore a hardhat to work and visited offshore drilling platforms, where she was often the sole female. Since then, Leslie has veered sharply toward the marketing mainstream, serving as a senior media planner at Foote, Cone & Belding/San Francisco, as a VP, group account director at Hawk Media and as media director at Swirl.

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Her pre-D/C client experience includes Taco Bell, Dreyer’s Ice Cream, MGM Grand Hotel & Casino, Pearle Vision and The Wine Group. And at D/C, she has been responsible for the planning and purchasing of media for, among others, Clos du Bois, Geyser Peak, GH Mumm, Perrier Jouet, Brancott, Cockburn’s, Hard Rock and Birkenstock. Leslie has an MBA from the renowned Thunderbird School of Global Management.

She is also a former professor at the prestigious Art Institute of California. And recently, we’re proud to report, she was elected president of the American Marketing Association, San Francisco chapter. A season ticket holder to the SF Symphony (la-di-da), she is married to an Englishman – but not Eric Clapton, whom she once talked to on the phone (long story).

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Michael Lemme

Michael LemmeJust to set the record straight, Mike (aka Lemme) owes his job at D/C to barefaced nepotism. Nonetheless, he is a past master of brand identity development, traditional print design and all manner of digital interfaces. Prior to joining D/C in 2004, Mike was creative director at the renowned San Francisco design group Method, leading their efforts for the SF Museum of Modern Art, Autodesk, Macromedia (now Adobe), Sun Microsystems, Reuters and American Apparel.

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He has won several major awards, including a One Show for interactive and two REBRAND 100 Global Awards for the relaunch of Hard Rock (2007 Best of Show) and Autodesk (2006). His work has also been honored twice in the Communication Arts Interactive Annual.

He is married (see above) and proud father of two boys.

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Jacqueline Fodor

Jacqueline FodorJacqueline Fodor is director of production. More importantly, she speaks Hungarian. And not many people can say that in any language. A first-generation American, born to a large family of half-crazed Hungarians, Jacqueline split her youth between hair-band-era LA and her grandmother’s medieval-era Hungarian hometown. She has seen River Phoenix, drugged up and dressed as Michael Jackson, and a man ploughing a field with an ox – all in the same year.

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Curiously enough, more than a decade before she shepherded the Hard Rock relaunch through a maze of pre-press houses and printers, Jacqueline worked as a waitress at the Hard Rock Beverly Hills. As an English major at UC Berkeley, she was a protege of the poet June Jordan. And she took a brief detour from her print production trajectory to produce and direct late-night infomercials.

She started her ad career as print producer and art buyer at several prominent San Francisco boutique agencies and ended up managing print production for Dell’s direct mail consumer catalog, which involved a two-million-dollar monthly budget and 30 million catalogues. In her first 18 months at Duncan/Channon, she completely restructured the production department, assuming management of the studio and art buying, as well as print production. Her efforts for Clos du Bois’ Marlstone Anniversary took home a Best of Division in this year’s ADDYs, while her production for the Hard Rock benefit CD, “Serve,” helped the agency earn ADDY gold. She was recently married to Marc (in Hungary, of course).

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John Munyan

John MunyanRead his bio fast enough, you might think John had played in the World Series. Read it again, you’ll discover the story’s so much better than that. Because our own John “Muny” Munyan was actually a member of the Ithaca College team that won first place in the AAF’s prestigious “College World Series of Advertising.” The Hank Aaron of Headlines, they call him in upstate New York.

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Muny began his post-Series marketing career (read: actually got paid) at Martino Flynn Advertising in his native Rochester, NY, where he spent eight years crafting strategy and copy for accounts ranging from Kodak Dental Imaging and CooperVision Contact Lenses to Dick’s Sporting Goods, where he was lucky enough to work with with legendary sports figures like Terry Bradshaw, Jimmy Johnson and Ken Griffey, Jr.

In 2001, lured by the siren song of the West Coast, John headed to San Francisco for a stint as associate creative director at Publicis Dialog, creating both direct and brand campaigns for Texas Children’s Hospital, HP and Microsoft among others, before joining Duncan/Channon. At D/C, he has produced award-winning work for clients ranging from Hard Rock to Birkenstock. John’s work has been featured on Good Morning America’s “Best Ads of the Year” segment and, most amazingly, a morning DJ once did a mash-up between one of his radio ads and the song “Take on Me” by the band a-ha. True story. John, his wife and five-year old son kick it old-school in the East Bay.

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